P h i l o s o p h y o f E d u c a t i o n
As an educator, my first objective is to give my students a secure and welcoming atmosphere to make themselves better individuals. This kind of environment encourages students to be themselves and also allows for mistakes. That way, the errors are happening in a forgiving place where the students can learn from them before applying them in public. It is essential to me that I prepare the next generation to be high-functioning people within our nation, regardless of their function or vocation within it. The most substantial opportunity that I can give my pupils is a student-centered education. This philosophy of education is “less concerned with the past and ‘training the mind,’ and more focused on individual needs, contemporary relevance, and preparing students for a changing future” (Sadker & Zittlemann).
For kids to absorb information, they have to be directly involved in the processes. This idea starts early in the planning stages, where direct involvement of the students is necessary. They can choose what material they feel is most important to cover and what they think the class expectations should be. They establish a set of classroom rules to be obeyed, as well as the disciplinary actions to be used if needed. The best learning happens in a supportive and collaborative environment, letting students interact and learn from one another and become more engaged in their learning. The tests/quizzes are more about retaining the critical ideas rather than the score, so I implement verbal tests (discussions) and interactive tests (listening) as well as the regular paper/pencil assessment. As the overseer of the class, my role within this process is to understand my students’ different learning styles and provide them with many ways of articulating their knowledge.
My goal as a music teacher is to be a facilitator of learning and a moderator of discourse instead of only teaching materials that I want to cover. I am an avid believer that we are all still learning, so I think I can learn as much from my students as they can from me. I strive to show the utmost respect for them, just as they do for me, by giving them the chance to develop their own musical opinions and interpretations. I implement this idea by allowing my kids some involvement in selecting what music they perform, as well as specific musical material they would like to learn. Music also can create certain emotions within different people. I strive to validate my learners and their feelings by letting them share their connections with the music so that other pupils may combine their views to create a deeper understanding of the music they are playing.
The Power of Student-Driven Learning:
Shelley Wright at TEDx West Vancouver
What if Students Controlled Their Own Learning?:
Peter Hutton at TEDx Melbourne
M e e t i n g t h e N e e d s o f A l l L e a r n e r s
Diversity is ever-changing, especially in the classroom. My philosophy on a diverse society is that of The Diversity Creed, by Dr. Gene Griessman. The full creed contains a list of ways to create a better life for us all. This creed is something to be followed by everyone, but these simple rules can also be used in a classroom setting so students feel safe in their school. One important thing for my students to know is that they are unique, and they deserve respect. Their backgrounds have a clear reflection on the way they present themselves, and it also gives them their unique view on society. That is awesome! It's crucial for me to know these things about my students, as well as recognizing it within myself, so that I may be the best teacher possible for the class.
Being aware of the diversity in my classroom and school, as well as the diverse world around us, helps me to recognize discrimination and injustice that I may have to act upon in my own life. I try to make it known early that bigotry will not be tolerated in my presence. Furthermore, I strive to learn the most I can about my students, so I may be aware of what prejudices the kids in my class may have. As a leader in the classroom, I strive to teach my students to be understanding, open-minded, compassionate, empathetic, and accepting of everyone. Music is an art that brings people together, not something of hate and narrow-mindedness. It is my job to show my pupils how to stand up to ignorance, while also teaching tolerance.
Music is so essential to our society as it exists in every culture. In my class, music is taught with cultural significance, which helps provide students with a unique perspective on what that culture is like. Arts education is also a great way to engage with diverse learning students. For example, vocal music is a great way to “bridge the gap” between English Language Learners and those who are native speakers. Students are often required to sing in many different languages, so that requires all students to learn together. In some situations, English Language Learners can benefit from teaching their own culture to American students through pieces of music. Merely giving the students exposure to different music from across the globe and introducing world culture in the class can lead to a good understanding of global awareness. Incorporating diversity into my repertoire and teaching style helps students expand their horizons while working toward a "better tomorrow."
THE DIVERSITY CREED
By Gene Griessman, Ph.D.
I BELIEVE that diversity is a part of the natural order of things—as natural as the trillion shapes and shades of the flowers of spring or the leaves of autumn. I believe that diversity brings new solutions to an ever-changing environment, and that sameness is not only uninteresting but limiting.
To deny diversity is to deny life—with all its richness and manifold opportunities. Thus, I affirm my citizenship in a world of diversity, and with it the responsibility to….
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Be tolerant. Live and let live. Understand that those who cause no harm should not be feared, ridiculed, or harmed—even if they are different.
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Look for the best in others.
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Be just in my dealings with poor and rich, weak and strong, and whenever possible to defend the young, the old, the frail, the defenseless.
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Avoid needless conflicts and diversions, but be always willing to change for the better that which can be changed.
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Seek knowledge in order to know what can be changed, as well as what cannot be changed.
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Forge alliances with others who love liberty and justice.
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Be kind, remembering how fragile the human spirit is.
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Live the examined life, subjecting my motives and actions to the scrutiny of mind and heart so to rise above prejudice and hatred.
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Care.
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W h o l e n e s s i n M u s i c E d u c a t i o n
One of the most substantial issues facing music education today is the ongoing struggle to create a well-rounded curriculum for students nationwide. This issue was effectively brought to light around 2012 by Bennett Reimer in his article, Struggling Toward Wholeness in Music Education. Within his report, Reimer explains that all children in the American Education System deserve to “receive a balanced, comprehensive, sequential music education taught by qualified teachers” (Reimer).
This issue is specifically relevant to me because the arts directly affect learning, retention, and many other essential qualities that make up a confident member of society. Allowing children in schools to incorporate music into their routine is crucial for these results to occur. There are already plenty of music educators that are successful in developing incredible musicians through the current approaches, like band or chorus. However, this way only helps the small number of kids in those programs instead of a broader student body. There are many relevant skills learned through music that can be applied to other career fields, and in other classes as well. Developing these skills schoolwide can help boost students’ performance and demeanor, as well as help them to achieve greater things post-graduation.
The best way to achieve a balanced program in schools is to implement opportunities for pupils to be engaged in music in the same ways that all people in our American culture and around the world do. A majority of the world’s population listen to music often, so it is essential to keep our children listening to music every day. People around the globe also interact with music in ways such as performing, composing, learning history, anthropology, and even conducting. I owe it to my students to allow them an opportunity to have these experiences too so that they develop a lifelong love for the arts in some form or another.

Sources
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Greissman, G. The Diversity Creed. Retrieved from http://www.presidentlincoln.com/Thediversitycreed--Yourfreecopyofthediversitycreed--WhyIwrotethe diversitycreedbygenegriessman.htm
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Reimer, B. (2012). Struggling Toward Wholeness in Music Education. Another Perspective, 25-29. Retrieved from https://journals.sagepub.com/doi/pdf/10.1177/0027432112463856
- Sadker, D. M., & Zittlemann, K. R. (2016). Teachers, schools, and society: A brief introduction to education. New York, NY: McGrew-Hill Education
- Tedx Talks. The Power of Student-Driven Learning [Video file]. (2013, June 9). Retrieved from https://www.youtube.com/watch?v=3fMC-z7K0r4
- Tedx Talks. What if Students Controlled Their Own Learning? [Video file]. (2014, November 20). Retrieved from https://www.youtube.com/watch?v=nMxq Ekg3wQ0
C o n t a c t
To contact Mr. Brotherton, use the message box or the contact information below.
Matthew Brotherton / 5723 Sherrills Ford Road Catawba, NC 28609 / mjbrotherton1@catamount.wcu.edu / (828)-384-2565
